All services
Lighting design that follows the narrative

Visual Scenography

Dynamic lighting design that follows the rhythm of your narrative, from theatrical wash to rhythmic strobes.

Moving head fixtures
Moving head fixtures
LED wash & batten
LED wash & batten
Lighting consoles
Lighting consoles
Atmospherics & effects
Atmospherics & effects

Media types, brands & what they do

The equipment classes we specify for this discipline, the manufacturers we deploy across brands, and the role each plays on site.

Moving head fixtures deployed by MASISO SOLUTIONS

Moving head fixtures

Robe BMFL/PointeMartin MAC AuraAyrton PerseoClaypaky Sharpy

Motorised pan/tilt spots, beams and washes for key light, aerial looks and gobo texture — repositioned per cue rather than per scene change.

LED wash & batten deployed by MASISO SOLUTIONS

LED wash & batten

Chauvet ProfessionalGLP JDC1Astera Titan Tubes

Colour-mixing wash for stage, set and architecture, including battery-powered tubes for cable-free set integration.

Lighting consoles deployed by MASISO SOLUTIONS

Lighting consoles

MA Lighting grandMA3ETC EosAvolites Tiger Touch

Cue stack programming, effect engines and timecode playback so lighting states run to the second with the show.

Atmospherics & effects deployed by MASISO SOLUTIONS

Atmospherics & effects

Look Solutions ViperMDG ATMeMagicFX

Haze and fog that make beams visible, plus confetti, CO2 and low-fog effects triggered from the same cue list.

Power & data distribution deployed by MASISO SOLUTIONS

Power & data distribution

SRS PowerLuminex GigaCoreSwisson

Three-phase distro with per-circuit protection and sACN/Art-Net networks that carry universes reliably across the rig.

Brand comparison

How each manufacturer we work with is actually used on a visual scenography job — what it does once it is rigged, and why we choose it over the alternatives.

Robe

BMFL, Pointe, Spiider
Deployed on
Concerts, awards, broadcast stages
Role on site
Key light, follow-spot positions and aerial beam looks
Why we choose it
High output with reliable colour matching across large fixture counts

Martin / Ayrton

MAC Aura, Perseo
Deployed on
Corporate stages, fashion, TV sets
Role on site
Wash and eye-candy layers that shape the stage picture on camera
Why we choose it
Smooth pastel mixing that flatters skin tones for IMAG and stream

Claypaky

Sharpy, Mythos
Deployed on
Festival and arena rigs
Role on site
Tight beam looks that read through haze at long throws
Why we choose it
Very narrow, punchy beams for big-room aerial effects

Astera

Titan / Helios tubes
Deployed on
Scenic integration, activations, venues without cable routes
Role on site
Battery-powered accent light hidden inside set and furniture
Why we choose it
No power or data runs, so it installs where cabling is impossible

MA Lighting / ETC

grandMA3, Eos
Deployed on
Control position on every lit show
Role on site
Cue programming, effects engines and timecode playback
Why we choose it
grandMA3 for busking and timecode; Eos for theatre-style cue stacks

Look Solutions / MDG

Viper haze, ATMe fog
Deployed on
Any rig where beams must be visible
Role on site
Even atmospheric haze held at a steady density through the show
Why we choose it
Low residue and fine control, which keeps venue smoke detectors calm

What you receive

  • Plot, patch and magic sheets
  • Pre-visualisation renders
  • Timecoded cue list