
Moving head fixtures
Motorised pan/tilt spots, beams and washes for key light, aerial looks and gobo texture — repositioned per cue rather than per scene change.
Dynamic lighting design that follows the rhythm of your narrative, from theatrical wash to rhythmic strobes.




The equipment classes we specify for this discipline, the manufacturers we deploy across brands, and the role each plays on site.

Motorised pan/tilt spots, beams and washes for key light, aerial looks and gobo texture — repositioned per cue rather than per scene change.

Colour-mixing wash for stage, set and architecture, including battery-powered tubes for cable-free set integration.

Cue stack programming, effect engines and timecode playback so lighting states run to the second with the show.

Haze and fog that make beams visible, plus confetti, CO2 and low-fog effects triggered from the same cue list.

Three-phase distro with per-circuit protection and sACN/Art-Net networks that carry universes reliably across the rig.
How each manufacturer we work with is actually used on a visual scenography job — what it does once it is rigged, and why we choose it over the alternatives.
| Brand | Equipment family | Typically deployed on | Role on site | Why we choose it |
|---|---|---|---|---|
| Robe | BMFL, Pointe, Spiider | Concerts, awards, broadcast stages | Key light, follow-spot positions and aerial beam looks | High output with reliable colour matching across large fixture counts |
| Martin / Ayrton | MAC Aura, Perseo | Corporate stages, fashion, TV sets | Wash and eye-candy layers that shape the stage picture on camera | Smooth pastel mixing that flatters skin tones for IMAG and stream |
| Claypaky | Sharpy, Mythos | Festival and arena rigs | Tight beam looks that read through haze at long throws | Very narrow, punchy beams for big-room aerial effects |
| Astera | Titan / Helios tubes | Scenic integration, activations, venues without cable routes | Battery-powered accent light hidden inside set and furniture | No power or data runs, so it installs where cabling is impossible |
| MA Lighting / ETC | grandMA3, Eos | Control position on every lit show | Cue programming, effects engines and timecode playback | grandMA3 for busking and timecode; Eos for theatre-style cue stacks |
| Look Solutions / MDG | Viper haze, ATMe fog | Any rig where beams must be visible | Even atmospheric haze held at a steady density through the show | Low residue and fine control, which keeps venue smoke detectors calm |