Precise acoustic modeling and high-fidelity sound reinforcement for stadiums, concert halls, and private corporate hubs.
The equipment classes we specify for this discipline, the manufacturers we deploy across brands, and the role each plays on site.
Vertically coupled cabinets that project even coverage over long throws — mechanically splayed to match the audience geometry so the back row hears the same mix as the front.
Cardioid or end-fire arrangements that steer low frequency energy into the audience and away from the stage, keeping the low end tight and off open microphones.
Front-of-house and monitor mixing with recallable scenes, onboard dynamics and multitrack capture for virtual soundchecks.
Crossovers, delay alignment, room EQ and zone routing — the tuning layer that makes a venue behave predictably.
Coordinated RF channels with spectrum scanning and encrypted links, plus personal in-ear monitoring for performers and presenters.
Low-latency multichannel audio over standard IP infrastructure with redundant primary/secondary paths.
How each manufacturer we work with is actually used on a audio architecture job — what it does once it is rigged, and why we choose it over the alternatives.
| Brand | Equipment family | Typically deployed on | Role on site | Why we choose it |
|---|---|---|---|---|
| L-Acoustics | K2 / Kara line arrays, KS28 subs | Arenas, festival mainstage, large plenary | Main hangs and cardioid sub arrays carrying the primary programme mix | Soundvision modelling matches the flown prediction almost exactly, so tuning time on site drops |
| d&b audiotechnik | V-Series, Y-Series, B22 subs | Theatres, conference halls, corporate galas | Main and delay positions plus front fills where sightlines are tight | ArrayProcessing keeps tonal balance even across balconies and deep rooms |
| Meyer Sound | LEOPARD, ULTRA-X | Speech-critical rooms, houses of worship, AGMs | Self-powered mains and monitors for high-intelligibility spoken word | Self-powered cabinets simplify distro and give very consistent box-to-box response |
| DiGiCo | SD / Quantum consoles | FOH and monitor world on show-critical events | Mixing surface with snapshot recall, onboard dynamics and multitrack capture | Optocore/Dante redundancy and mirrored engines keep a show alive through failures |
| Yamaha / Allen & Heath | CL/QL, dLive, SQ | Corporate AV, hybrid studios, installed venues | House consoles and rack mixers driving in-room and stream feeds | Fast to hand over to venue staff and cost-effective for permanent installs |
| Shure / Sennheiser | Axient Digital, EW-DX, 2000 IEM | Every event with presenters or performers | Coordinated wireless handhelds, lavaliers and in-ear monitor links | Wideband tuning and spectrum management survive congested urban RF |
